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She's also something of a gym bunny, hence the fact she's quit.

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In a fascinating conversation interwoven with film clips, the filmmakers will explore identity politics, changing attitudes toward technology, indie cinema, and more.

Then we’ll celebrate the underground music that served as inspiration for the filmmakers at a raucous after-party featuring a live performance by twisted glam rock/garage/punk band Low on High (Jon Moritsugu and Amy Davis) and indie-dark wave sounds of SISU, featuring Sandy Vu, formerly of the Dum Dum Girls.

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But the increase in time spent working and parenting may be possible explanations for the drop in sex among married people. Plus, with the rise in quality and accessibility of streaming entertainment, competition for free time is stiffer.

“There are now so many other ways to spend leisure time at home,” she says.

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Remember all those sex parties and women running around naked?While men sat on their high thrones, women came to join them as more and more opportunities in the work force were made available for the female gender.The “free love” movement that first made headlines in San Francisco in the '70s led to an even deeper public awareness of the transition to openness about sex and love.Or that crazy rock and roll music and the invention of the magical, and at the time, radical birth control pill?As conservatives freaked and religious dogmas fell to the back burner, the “new” sexuality started to give way to a cultural norm that said, “Hey, sex feels good, and it's OK to talk about it.” Let's take a look at the changes in the past 50 years.Ray Stark Family Theatre (SCA), School of Cinematic Arts 108 900 West 34th Street, Los Angeles, CA 90089 7 p.m.: Panel Discussion, The Ray Stark Family Theatre, School of Cinematic Arts 108, USC 9 p.m.: After Party and Concert, Tommy’s Place, Ronald Tutor Campus Center, USC ADMISSION: Admission is free. It should be like seeing a band instead of sitting there, checking it out, falling asleep.” —Jon Moritsugu Gregg, Roddy, Jon, and Marcus have exploded notions of identity and identification through a radicalized indie-film aesthetic inspired as much by the anything-goes energy of the underground music scene as by the formalist experimentations of directors like Godard.